The notion of ‘Media & Cultural Imperialism’ began to dominant the belief of
many scholars and gained prominence in the 1970s. The objectives of cultural
imperialism as Petras (1993) has argued, were planned, and campaigned constructed.
He has raised the example about the United State cultural imperialism has two major
goals, one economic and the other political (Peter & Phil, 1996). The first goal as he
describe is to capture markets for its cultural commodities and the second is to
establish hegemony by shaping popular consciousness.
Cultural Imperialism was described and explain as the way that the first world
country use large multinational corporations and that include the media to dominated
developing country or the third world country (Herbert, 1976 Quoted by Livingston,
2000).
However, the notion of Cultural Imperialism to some extent has really explained
the way on how the developed country dominate with the developing country (. e.g. MTV, American Idol, & MacDonald) but the criticisms about this notion are never
end. According to Livingston (2000) in his journal, reconsidering cultural
imperialism theory, has been gathered all criticisms and weakness of this theory from
other researchers and theorists.
The first critic from Livingston (2000) himself is that ‘Cultural Imperialism’ is
based partly on the view that no periphery country will ever be able to produce media
product of its own. Since the time when the United States was the first country that
could produce movie, music and any others product; and start to contribute to the
neighboring countries, this notion had developed. The fact is that time flies and thing
change due to the time. Nowadays, not only the United State that have a capacity and
ability to produced the media product but the other countries though the developing
one also can produce their own media product in their own language. TV Globo is
also one of the world’s biggest television networks outside of the US, and Globo not
only export media programs, also transmit them via satellite into intended regions
(Sinclair 344 quoted by Musa 2011).
According to Herb Schiller (1973), the ontological assumption of Cultural
Imperialism stated that “human do not have the free will to choose how they feel, act
think, and live. They react to what they see on television because there is nothing else
to compare it to besides their own lives, usually portrayed as less than what it should
be. However, each individual have their own reality about life in the way that they
want to construct as potter (1996) has argued.
Another epistemological assumption explains that there is one truth and no matter
what that truth never going to change. As long as the third world countries continue to
air Western Civilization’s program then the third world countries will always believe
they should act, feel, think, and live as Western Civilizations act, feel, think and live.
However, Potter (1996) has argued that assumptions that the ways human interpret
information about culture are shaped by international media organization, are the very
base assumption guiding cultural imperialist thinking.
Another assumption of cultural imperialism is that media play a central role in
creating culture (Livingston, 2000). However, this assumption seems to oversimplify
that media really have such a power to influence people. One of the most remarkable
studies about media from Lazarsfeld is that media do not really have a direct
influence on people but rather to reinforce the old belief that people held before (Stanley J. & Dennis K., 2009). In Lazarfeld’s theory, explains that media rarely
directly influence individuals and when media do seem to have an effect, that effect is
filtered from other parts of the society, for example through friends or social group.
One more point to notice about the weakness of cultural imperialism is that this
theory doesn’t acknowledge an audience’s ability to process information and interpret
message different based on their individual background (Liebes & Katz, 1990 cited
Livingston, 2000). If we go to look at the theory from Staurt Hall (1973), he had
developed a theory called ‘Reception Studies’ (Stanley J. & Dennis K, 2009). This
theory focus on how various types of audience member make sense of specific forms
of content. He explains the three types of how audience makes sense of the content:
preferred reading, negotiated reading and oppositional reading. Preferred reading is
the way that the audience interprets the message from the producer hundred percent
exactly the same as what the producer intended to sent. Negotiated reading when the
audience creates a personally meaningful interpretation of content that differs from
the preferred reading. Oppositional decoding when the audience develops
interpretations of content that are indirect opposition to a dominant reading. The study
of the cultural imperialism seem to be broad and over generalized the power of media
and ignored the individual differences that would lead this theory becomes weak.